Composition #dadarazzi #photography101

This week instead of covering another technical aspect of your camera I though i would focus on a more artistic look at how we can make our pictures look desirable to the human eye.

Just before i start actually though, thanks so much for all your lovely feedback about these posts. The biggest thrill i get is that people say they are going to go and have a go with their camera. That is my aim. Not to come across as a big know it all camera person. Because I am so not. But just to encourage parents to get out there and capture life as it happens in their families. Like the Fool did last week, experimenting with shutter. This week im re-naming my mamarazzi as dadrazzi in his honour πŸ™‚

Anyway..so this week its all about composition. What is it that makes you look at an image and go WOW.

As photographer we can control what the viewer sees in our image. That can be by using things like shutter/aperture and manipulating the light..but also how we present the image is important. Where is the eye drawn to in an image? How is it all coming together.

Here are a few basic ‘rules’ you can follow.

Leading Lines

This principle is based on leading your viewers eye to what you want them to focus on by the use of lines in an image. They don’t need to be straight, just needs to be something that ‘lures’ the eye to the object of interest.

Here are some examples..

you can use so many different things as leading lines..here are some train tracks…

or something simple like a path

doesnt have to be just for kids either..you can use leading lines for anything you want to draw attention to.

fences are really good for leading lines, especially for portraits. get your subject to lean in to wall and then you do the same and shoot πŸ˜‰

can even be something like a shadow

Frame it up

Im not talking about putting your picture in a frame on your mantel. Although we ALL probably need to do more of that and give our crippled hard drives a break from storing all those images that never get seen! But no what im talking about is using an element in your scence to provide a natural border that draws attention where you want it. You can use anything from the outline of a door or window to a row of trees of cluster of bushes. Basically anything that surrounds your subject will pack a punch.

Look for negative

Not as in, think negatively, but as in think about the power of negative space in your image…nothingness. It really can pack a huge punch. It means an area of your image that has no visual content in it. Intentionally leaving some empty space around your subject can make a huge impact. Works well when following the rule of thirds…

and lastly – for now…

Get off Kilter

So you think that you always have to have your subjects standing up straight and all your horizons level. Well sometimes its good to mix it up a bit and shoot on an angle. A tilted photo can add visual interest to your scene. The thing is to make your slant obviously intentional and not so awkward that your subject seems to be sliding out of the frame. Similarly, incorporating diagonal lines to your photo can aid the eye in moving across the image, giving your image energy.

Here are some examples..

So there are a few pointers, see what you think and if you fancy giving it a go, do let me know how you get on.

 

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The mobility of sleep #motivationalmonday #themondayclub

We have, in our family, five little people. That may be somewhat obvious by the the title of my blog. πŸ˜‰

So it stands to reason that we have had five newborns, had to go through many many months of dodgy sleep patterns, some no sleep patterns and who the heck cares i just want to lie down sleep patterns.

We went for the pic’n mix approach to sleep. Broadly that meant going with whatever works, results in the greatest amount of sleep and once there was more than one little person in the house, resulted in the fewest amount of awakees. Β Over the years we have probably dabbled in all the various ‘theories’ but ultimately it comes back to…a default. Go with what gives us the most sleep. Whether thats having a newborn like the princess and the pea inbetween us on our bed or having a 10 year old who has had a bad dream sleep top to toe with us for the night. It all just works out.

I know there are people who get s-t-r-u-n-g out by the thought of a disruptive night, we are a bit different, well i am anyway. Our four year old has been coming into our bed for about 18 months now, every night, without fail. Got to the point when I was almost saying ‘well done’ to her when she managed to get into our bed without waking anyone up!! I never thought i would be one of those people who could sleep inter-linked with someone else. But its amazing what you adapt to πŸ˜‰

She has pretty much stopped doing it now, i knew she would eventually. There has been points recently where i have had moments where i kind of miss it just a little bit. Maybe a sign that they are growing up and cuddles in bed are becoming far too babyish. *sniff*

I think over the years i have grown less fond of sleep. I find it a bit of a drag. Like there is something else i could be doing…don’t get me wrong those few minutes before you get up are agony, clinging to the mist of dreams, beaten by forthcoming consciousness normally with the help of a baby shaped alarm clock. But there are times when although really i know that i should be asleep that im busy doing something else, robbing my body of its down time as each extra hour of being ‘up’ without the kids means i can just get one.more.thing done.

In our house at least sleep patterns have been fluid..changing with the times, the ages of the kids and the stages they are at. The ultimate goal is everyone in their own bed for the entire night. When that does happen there is a little ‘holy grail’ feeling about it.

But when it doesn’t it isnt the end of the world either.

What about you, how mobile is your sleep?

On this beautiful bank holiday monday I have yet another beautiful box of sunshine from the awesomeness that is LUSH to giveaway. Please follow the instructions on the rafflecopter and don’t forget to check out my lovely friend Pinkoddy and co-host of motivational monday as she has some giveaways going on too.

The winner of the Lego dictionary is Sally Poole. Congratulations and please contact me to claim your prize!!

a Rafflecopter giveaway

Motivational Monday Β  Spring Carnival themondayclub Β 



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How fast is your shutter? #mamarazzi #photography101

I am a big fan of the semi-automatic modes on a camera. Everyone seems to believe that the only way to shoot decent images is to be fully manual and be in control of all aspects of the image.

well…yes…maybe…. but there is a really big BUT…

You have to be able to know what you are doing in manual and moreover know how to set and change your settings very quickly….. not such a problem i grant you if you are shooting a landscape..because a landscape Β isnt going to get all ants in its pants about sitting still on that lovely bench you have just plonked it on with its siblings.

No, most of us are mamarazzi, we are photographing our children and lets face it kids are often busy little things who don’t take much to being asked to stay still.

Unless they are asleep…and then you can knock yourself out playing with manual settings on your camera. πŸ˜‰

But the truth of it is we want to capture memories and moments along the journey that is our own family story and i can tell you for nothin’ no kid of yours is going to look back at a picture of them proudly taking their first wicket in cricket and solemnly say to you ‘so what ISO did you have that on mama?’ πŸ˜‰

Sometimes you just have to get the shot. In the can. If you don’t have time to faff with camera settings or you are not sure..wizz round to the ever faithful green square on that expensive camera of yours, pop the shutter and be PROUD. Β Remember whats important and prioritise.

So anyway… semi-automatics. Like it suggests it controls some of the picture taking parts but not all. The main two that all most reasonable cameras will have is AV(aperture) or TV/S (shutter).

Basically they work like this:

Aperture Priority – lets you control the aperture (thats what gives you the blur) – the camera then picks the shutter and the ISO

Shutter Priority – lets you control the shutter (coping with movement) – the camera picks the aperture and the ISO

Now in theory – your camera should pick the right settings so that you get a reasonably exposed image. But that will depend on where you are and what the light is like.

These settings are a great way of learning how that one particular process (aperture or shutter) works.

Shutter- Speed

Do me a favour and if you have a dslr go and set it to a shutter speed of 1/10. Right press the shutter and listen and watch the front of your camera. The snapping sound is the shutter opening for one tenth of a second.

You can have it open for longer, if you can scroll up to a number with a symbol like this ” on the side. That is an entire second..so you can have your shutter open for 8 seconds if you like? Enough for you to go in and out the kettle on! Now wind it back up to 1/500 (if you can) and listen to how fast it goes..POW. Its all about action and thats what you are talking about with shutter speeds.

You can experiment with slow shutters – gives that lovely blurry effect and can give a real impression of movement..

These two pairs below are the same image but shot with a different shutter. Its more dramatic in the water one but you can see in the picture of my son how much clearer the jump is on the faster shutter (look at his finger tips)

So when you are planning on taking some pictures of something or someone moving fast then switching up to shutter priority would be a good move. Or if you want to capture the flow of water like the first two images here then go back down to a slow shutter speed and get some of those gorgeous effects. Just a little note though when your shutter is opening very slowly the camera will be effected by any movement…your hands moving, breathing..so you might want to think tripod Β or just jam yourself against something like a wall and hold your breath when you press the shutter πŸ˜‰

There is the classic jumping on the trampoline..try and do this without shooting through the mesh..its a bit tricky to pull off when your subject is moving all the time.

Playing with shutter speeds can give you a lovely capture of smallest of movements. Hair blowing in the wind…and other things blowing in wind. In the interest of authenticity i didn’t edit out the spit πŸ˜‰

The one that we all are after, the school sports day shot.

Slower shutter produce really dramatic effects, like slowing down and blurring the gorgeous flames of the fire

couldn’t do a post on shutter speeds without the firework one. I didnt have my camera on a tripod for this shot. I should have but what i did do was wedge myself against the doorframe for a bit more stability.

There you have it, so how about popping your camera onto shutter mode and getting out there and having a play.

Do let me know how you got on!

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A big fat thank you #britmums #bibs

Thats right, a huge thank you for taking the time to nominate me for a BIB! – thats brilliance in blogging award for photography. I am really very touched. πŸ™‚

The next stage of the nominations is getting into the finalist category and to do that i need votes. So if you have a minute please head over and vote for me! Thanks once again. You seriously rock.

You can do that here!!

i plant a big sloppy kiss on your cheek.

peace.

Leaving you with a cheeky little curly girl..

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